Modern experiments and public expression
- Geometric construction in Gaganendranath Tagore’s paintings
- Calligraphic form in Rabindranath Tagore’s visual art
- Local environment as a source in Santiniketan art
- Amrita Sher-Gil’s synthesis of Indian and European visual traditions
- Reproducible prints as a medium of social criticism
- Artistic freedom in the Bombay Progressive Artists’ Group
- Geometric symbolism in S. H. Raza’s abstraction
- Neo-Tantric abstraction and the use of traditional diagrams
- Material and surface in Group 1890’s artistic programme
- Narrative figuration and everyday social experience