Indian art and culture / Literature, languages and sources
Sources: inscriptions, coins, travellers and archaeologists
Practise 1 PYQConcepts to cover
- Prashastis, land-grant copper plates, donative records, edicts; Brahmi decipherment (Prinsep 1837); key inscriptions Hathigumpha, Allahabad, Junagadh, Aihole, Nashik, Uttaramerur, Mandasor, Gwalior
- Punch-marked, Indo-Greek portrait, Kushana and Gupta gold, Satavahana lead, Chola and Vijayanagara gold (varaha, fanam), tanka and jital, rupiya and dam
- Megasthenes, Pliny and the Periplus, Ptolemy, Fa-hien (Chandragupta II), Hiuen Tsang (Harsha), I-tsing
- Al-Biruni, Marco Polo (Pandya, Kakatiya coast), Ibn Battuta, Abdur Razzaq, Nicolo Conti, Paes and Nuniz, Barbosa, Bernier, Tavernier, Manucci
- Cunningham (ASI 1861), Burgess, Walter Elliot and Alexander Rea (Amaravati and south Indian sites), Longhurst (Nagarjunakonda), Robert Sewell (Vijayanagara, A Forgotten Empire), Marshall (Harappa), Wheeler
- Colonial, nationalist, Marxist and subaltern readings; periodisation debates (ancient, medieval, modern)