Indian art and culture / Performing arts
Hindustani classical music
Practise 4 PYQsConcepts to cover
- Natyashastra, Brihaddeshi (raga concept), Sangita Ratnakara of Sarngadeva (thirteenth century) as the common root of both systems
- Dhrupad: oldest surviving Hindustani form, devotional and spiritual, alap with Sanskrit mantra syllables (nom-tom), Gwalior court of Man Singh Tomar, Dagar tradition
- Tansen: born Gwalior, court of Akbar who gave the title Mian, Dhrupads on Hindu gods and on patrons, ragas such as Miyan ki Malhar and Darbari
- Khayal (Sadarang, Muhammad Shah's court), Thumri, Tappa, Tarana, Dadra; Amir Khusrau's role in qawwal bachche
- Gharanas: Gwalior, Agra, Jaipur-Atrauli (Alladiya Khan; Kesarbai Kerkar, Mallikarjun Mansur), Kirana, Patiala, Rampur-Sahaswan, Mewati
- V.N. Bhatkhande's ten thaats and notation; V.D. Paluskar founds Gandharva Mahavidyalaya at Lahore (1901); Bilawal thaat corresponds to Carnatic Shankarabharanam